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Fanzines @ BGSU: Zine Resources
Zines are located in the Browne Popular Culture Library and in the Music Library and Sound Recordings Archives and can be found by using the Library Catalog.
A database of photographs, images, manuscripts, rare printed material documenting the music, politics, fashion and youth culture in America and Great Britain from 1950-1975.
Access for BGSU Main Campus users only; not available for Firelands users.
Zines, those hip, alternative, self-published magazines, have broken out from the obscurity of the underground and found themselves in the spotlight. Zealous readers are turning to zines for smart writing on everything from cutting-edge music to radical politics. With all that's been said about zines, one question still remains: Where the heck can you find them? And even if you dig them up, who has time to read through them all to get to the good stuff? R. Seth Friedman, super zine sleuth and the head honcho at Factsheet Five magazine, does. Culled from thousands upon thousands of zines, this book features seventy of the best stories, essays, and rants that have appeared over the past few years. These selections are intensely personal, unconventional, and sometimes completely out of this world. More than just a simple anthology, The Factsheet Five Zine Reader includes original art and covers from the zines, descriptions and histories of the zines, and complete ordering information so you can start exploring this exciting new world on your own.
The Book of Zines by Chip Rowe
ISBN: 0805050833
Publication Date: 1997-06-01
A scrapbook of artwork, humorous writing, and articles culled from the nation's zines--underground magazines produced by individuals and small publishers--includes off-the-wall tips on dating and reviews of grotesque products.
Notes from Underground by Stephen Duncombe
ISBN: 1934620378
Publication Date: 2008-11-01
This first comprehensive study of zine publishing uncovers the compelling story of the movement. From their origins in early 20th century science fiction cults, their more proximate roots in 60s counter-culture and their rapid proliferation in the wake of punk rock, Stephen Duncombe pays full due to the political importance of zines as a vital network of popular culture. Packed with extracts and illustrations, this is a useful overview of the contemporary underground in all its splendour.