This is the "Introduction to the Guide" page of the "Rap and Hip Hop Resources" guide.
Alternate Page for Screenreader Users
Skip to Page Navigation
Skip to Page Content
Artists and AlbumsElectroGraffitiRecord Labels
Artists and AlbumsRecord Labels
ArtistsRecord Labels
BGSU
Home Academics Admissions The Arts Athletics Libraries Offices
Admin Sign In 

Rap and Hip Hop Resources  Tags: music rap hip_hop  

A guide to finding resources for rap and hip hop research
Last update: Sep 04th, 2009 URL: http://libguides.bgsu.edu/rap  Print Guide  RSS Updates

Introduction to the Guide            Print Page
  
 

Purpose of this Guide

The terms "rap" and "hip-hop" are often used synonymously. Hip-hop, however, is a multi-faceted culture that includes rap music as well as DJs, dance, parties, fashion, and graffiti among other elements.

Hip-hop began, as many popular music genres do, as "the dominant rebel yell of youth culture in New York City." (Cepeda xvi) Today there are many sub-genres and distinct styles resulting from geography (New York, LA, the south, Detroit, etc.), recording labels, and personalities. In the '70s, however, rap began as party music in New York City (specifically in the African American neighborhoods in the South Bronx), providing soundtracks to illicit club and street parties. DJs used their surroundings to produce entertainment, resourcefully using power sources to fuel their turntables and borrowing/sampling from old records to isolate and manipulate beats. Early rap in New York was influenced by disco culture and recordings. DJs and MCs borrowed heavily from influential albums, paying homage to other artists all the while creating a new sound with old material.

Old-School rap artists/MCs/DJs such as Grandmaster Flash, Afrika Bambaataa, Kool Herc, and Coke La Rock created a foundation for hip-hop, coalescing with the emergence of Run-D.M.C. The success and innovations of Run-D.M.C in the '80s changed the aesthetics of rap music and hip-hop culture. A definitive history of Hip-Hip is impossible as each author/artists/record label has a different interpretation. No one, however, argues that the Sugarhill Gang’s single “Rapper’s Delight” was rap’s first emergence into the mainstream market. “Rapper’s Delight” was released in October 1979 and made it to Billboard’s Top 40, at number 36.

The '80s were rap’s golden age; record labels were commercializing street sounds and marketing it to the public. Aside from New York rap styles, the culture also grew in Los Angeles’ South Central neighborhoods, and in areas in the south such as Atlanta. Sub-genres that spun out of the initial stages of rap include: acid rap, crunk, electro-hop, freestyle, gansta rap, nerd-core, and rap-core, among others.

Hip-hop's hold on American culture continues to unfold after nearly thirty years. This research guide divides rap and hip-hop materials into styles, artists, record labels, histories/criticisms, and the actual music. Click on the taps, and pull down menus to find a variety of information. Enjoy!

 

 
 

Get Help!

If you need personal help, please call (419-372-2307), e-mail (mlsra@bgsu.edu), or chat (AIM:ssnnh or use the chat box below).

 

The Music Library and Sound Recordings Archives are located on the third floor of Jerome Library. Check our hours on the University Libraries' site.

 

Credits

This guide was created by Morgan Rich, former Music Library Student and Circulation Supervisor.

 
Description

  Loading content... please wait